in 1975. It was a turning point creatively. Formerly a "paper-trained" Classical musician, she was taught to compose and improvise original music with a vast scope of influences from the Prog-bands of the era (Genesis; Beatles; Yes, Jethro Tull) blending her Classical training with Renaissance, blues, folk and a wide range of ethnic sounds. It was a remarkable opportunity to collaborate with Mark Mancina (Oscar winning composer) and Doug Smith (Grammy winning guitarist.) She counts the care and mentoring of these gentlemen most important in her musical path. This background informed her approach to harping though in the beginning she remained within traditional boundaries. Cynthia is passionate about history and tradition yet exuberant in exploring contemporary, original expressions. Part of the ancient harp tradition she embraces is playing at the bedside for the sick and suffering using the "three musics" of the Celtic repertoire. She has provided therapy harp services since 1985 in such halls of healing as: UCLA Medical Center; City of Hope; St. Joseph's Hospital, CHOC, Citrus Valley Hospice, naming only a few. All this, in addition to working freelance for 25 years at the harp in every capacity including forming a harp orchestra. Her work includes recording, composing, teaching; directing a private studio and two independent harp programs. She has been privileged to learn from and work with: Sylvia Woods, Ellie Choate, Paul Baker, Kim Robertson, Paul Dooley, Janet Harbison. Recording artist, writer, composer, teacher....playing traditional and contemporary music on acoustic/electric harps. |
| Cynthia Artish harpist-composer-teacher |
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June 20 & 21, 2009 |
| Current Projects: |
Listen to Cynthia discuss the Irish harp and her new album "Beyond All Telling" with Anne Koegel on "Neoclassical" on KSPC 88.7 Radio |
Group Harp Classes July 28, Tuesday 6:30 p.m. The Folk Music Center, Claremont |